{"id":730,"date":"2013-11-25T00:00:37","date_gmt":"2013-11-24T23:00:37","guid":{"rendered":"http:\/\/rene-schmitt.com\/?page_id=730"},"modified":"2025-11-17T22:11:52","modified_gmt":"2025-11-17T21:11:52","slug":"artists","status":"publish","type":"page","link":"https:\/\/rene-schmitt.com\/en\/artists\/","title":{"rendered":"Artists"},"content":{"rendered":"
\n

John Armleder<\/a><\/h2>\n

SAVE ME (2019)<\/a><\/p>\n

Art & Language<\/a><\/h2>\n

These Scenes (2016)<\/a>
\nTriptych (2018)<\/a>
\n10 Posters (2019)<\/a>
\nFLAG (2021)<\/a><\/p>\n

Marc Brandenburg<\/a><\/h2>\n

Flag (2021)<\/a>
\nYSL (2021)<\/a><\/p>\n

Luis Camnitzer<\/a><\/h2>\n

Symmetrical Jails (2014)<\/a>
\nTIMELANGUAGE (2016)<\/a>
\nLes Mus\u00e9e C’est Moi (2021)<\/a>
\nFLAG (2021)<\/a><\/p>\n

Via Lewandowsky<\/a><\/h2>\n

FLAG (2021)<\/a>
\nThe Great Split (2022)<\/a><\/p>\n

Bernhard Martin<\/a><\/h2>\n

Ballroom I (2025)<\/a>
\nBallroom II (2025)<\/a>
\nBallroom III (2025)<\/a>
\nMedusa (2025)<\/a>
\nCr\u00e8me fra\u00eeche auf Sinnsuche (2007)<\/a><\/p>\n

Michael Mueller<\/a><\/h2>\n

Verschwinden (2015)<\/a>
\nVerschwunden (2017)<\/a>
\nZwei Naegel tun\u2019s auch (2018)<\/a>
\n10 glueckliche Fehler \/ 10 Happy Mistakes (2018\/19 and 2020)<\/a><\/p>\n

Lorraine O’Grady<\/a><\/h2>\n

Cutting Out CONYT (1977\/2017)<\/a>
\nCutting Out CONYT (1977\/2017) (Images)<\/a>
\nFLAG (2021)<\/a><\/p>\n<\/div>\n

\n

A.R. Penck<\/a><\/h2>\n

Standart (1990)<\/a>
\nAnfang im Osten (1992)<\/a>
\nVerteilung der Beute (1992)<\/a>
\nGuo Ming (1992\/2024)<\/a>
\nO.T. (kleine stehende Figur) (1992\/2024)<\/a>
\n5 Woodcuts (1992)<\/a><\/p>\n

Tal R<\/a><\/h2>\n

Almanach 67 (2015)<\/a>
\nAlmanach 67 (Images)<\/a>
\nUntitled Flowers (2020)<\/a>
\nUntitled Flowers (2020) (Images)<\/a>
\nBird in Cage (2021)<\/a>
\nFLAG (2021)<\/a><\/p>\n

Kay Rosen<\/a><\/h2>\n

Between You, Me, and the Sea (2019)<\/a>
\nHowdy Ma\u2019am (2019)<\/a>
\nMappings (2019)<\/a>
\nFLAG (2021)<\/a><\/p>\n

Karin Sander<\/a><\/h2>\n

Pulled Glass (2018)<\/a><\/p>\n

Peter Saul<\/a><\/h2>\n

Holy Moley (2013)<\/a>
\nQuack (2013)<\/a><\/p>\n

Cornelia Schleime<\/a><\/h2>\n

Ein Sommer der mir aus der Hand faellt (2021)<\/a>
\nEin Sommer der mir aus der Hand faellt (2021) (Images)<\/a><\/p>\n

Nasan Tur<\/a><\/h2>\n

With bare hands (2025)<\/a><\/p>\n

Ulay<\/a><\/h2>\n

UNHURT (2015)<\/a><\/p>\n

Rose Wylie<\/a><\/h2>\n

Pink Girls - Yellow Curls 1 (2014)<\/a>
\nPink Girls - Yellow Curls 2 (2014)<\/a>
\nCFF Nicole Kidman (2015)<\/a>
\nCFF NK (2015)<\/a>
\nGirl Now meets Girl Then (2019)<\/a>
\nGirl Now meets Girl Then (2019) (Images)<\/a><\/p>\n<\/div>\n

<\/div>\n","protected":false},"excerpt":{"rendered":"

John Armleder SAVE ME (2019) Art & Language These Scenes (2016) Triptych (2018) 10 Posters (2019) FLAG (2021) Marc Brandenburg Flag (2021) YSL (2021) Luis Camnitzer Symmetrical Jails (2014) TIMELANGUAGE (2016) Les Mus\u00e9e C’est Moi (2021) FLAG (2021) Via Lewandowsky FLAG (2021) The Great Split (2022) Bernhard Martin Ballroom I (2025) Ballroom II (2025) Ballroom […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":86,"comment_status":"closed","ping_status":"closed","template":"page-fullwidth.php","meta":[],"_links":{"self":[{"href":"https:\/\/rene-schmitt.com\/en\/wp-json\/wp\/v2\/pages\/730"}],"collection":[{"href":"https:\/\/rene-schmitt.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rene-schmitt.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rene-schmitt.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rene-schmitt.com\/en\/wp-json\/wp\/v2\/comments?post=730"}],"version-history":[{"count":11,"href":"https:\/\/rene-schmitt.com\/en\/wp-json\/wp\/v2\/pages\/730\/revisions"}],"predecessor-version":[{"id":5776,"href":"https:\/\/rene-schmitt.com\/en\/wp-json\/wp\/v2\/pages\/730\/revisions\/5776"}],"wp:attachment":[{"href":"https:\/\/rene-schmitt.com\/en\/wp-json\/wp\/v2\/media?parent=730"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}